Robert Kirkman vs. Tony Moore Over Walking Dead

So here it is, the newest insanity to come out of the film news press; artist Tony Moore is suing former collaborator and childhood friend Robert Kirkman over proceeds and royalties for The Walking Dead. Moore is claiming that he was "swindled" by Kirkman into signing over his interest in The Walking Dead TV series and now isn't receiving any royalties.

Let's ignore the fact that Moore didn't believe that the TV series would take off and so willingly put forward the contract he is now in to give Kirkman the rights to the show and its proceeds. Moore also stopped drawing, inking and grey-toning the comic book series after issue SIX, being replaced by artist Charlie Adlard (who continues to do the series). Sure, Moore continues to do the covers and is owed for this work, but he has not been "swindled" out of anything.

Kirkman told the Hollywood Reporter:

The lawsuit is ridiculous, we each had legal representation seven years ago and now he is violating the same contract he initiated and approved and he wants to misrepresent the fees he was paid and continues to be paid for the work he was hired to do. Tony regularly receives payment for the work he did as penciler, inker and for gray tones on the first six issues of The Walking Dead comic series and he receives royalties for the TV show, to assert otherwise is simply incorrect.

Kirkman is also, let's not forget, the creator of the series - as all the inside comic-book credits point out - and Moore as responsible for "penciler, inker, gray tones".

So, the story seems to be that the creator of the franchise was approached about making a TV show out of his comic book. The artist and collaborator didn't believe in the project and put forward the contract within which they are currently bound - in which he does receive royalties from the TV show. The show then becomes a sensation and the creator is shot forward into fame and fortune and the artist feels he was swindled.

I'm sorry, but that is simply ridiculous. I cannot believe someone with Moore's talent and reputation would have the gall to put forward such a lawsuit and damage himself and Kirkman with the claims he is making. Face it, Moore, you signed away your rights - with legal council present for both you and Kirkman, on a contract you agreed on - and now that it's popular, you want your piece of the pie. Grow up.

Mahalo.

TV Killed the Movie Star

At least, for the time being.

It is unlikely that it has gone completely unnoticed how much amazing television has been cropping up within the last ten years. I mean, there's always been good TV, don't get me wrong, but it seems that with increasing budgets for TV - especially HBO productions - TV has only been getting better and better.

There was a time not too long ago that being called a "television actor" was a derogatory term amongst actors. Everyone wanted to make it big on the Silver Screen, be a movie star, beloved the world over on that giant screen with those plush seats. Sure, there was a time when being a film star was disregarded by theatre actors, but that changed. And so, too, I think the time of the Television Actor as a second class citizen.

Shows like Six Feet Under seemed to mark a new trend that being in a television series was not a bad thing at all, compared to their film star counterparts. This time saw the rise of a shows that seemed more like a collection of films, a series of moments that could be more deeply explored due to their increased time frame. The medium allowed for more character development, longer and deeper plot lines and more exploration of the world these characters exist in.

It isn't hard for me to name, off the top of my head, shows that fall into this category of A Series of Films, shows like Dexter, True Blood, Boardwalk Empire, Castle, Breaking Bad, Game of Thrones, The Walking Dead, shows that you feel you must own on DVD to watch and rewatch. These shows become an obsession, something to be spoken about, speculated about. And that's not even mentioning series that have finished like Lost and Detroit 1-8-7. And, yes, Firefly, of course.

Even shows that are just starting like Boss, Luck, Homeland and, in a more pulpy sense, Spartacus and American Horror Story are taking over the airwaves and capturing us with film-like episodes.

This doesn't even speak to the quality of actor who are now taking part in these. It seemed to start in the late 90s with first Michael J. Fox and then Charlie Sheen being the leads in Spin City but then big actors becoming "TV actors" was still a fall from grace in a sense. What I truly believe was the turning point was twofold: Tim Roth on Lie to Me and shortly after Jeff Goldblum on Law and Order: Criminal Intent. With these two big-name actors moving to television, it was clear that was a revolution. And people noticed. Even Laurence Fishburne joined the cast of CSI.


Then it started becoming obvious the talent that lay in these television actors - Michael C. Hall (from both Six Feet Under and Dexter), Michael Pitt (Boardwalk Empire), Peter Dinklage (Game of Thrones), Bryan Cranston (Breaking Bad), Nathan Fillion (Castle) and that's only naming a few.



I haven't even mentioned the household names like Steve Buschemi in Boardwalk Empire, Kelsey Grammar in Boss, Sean Bean in Game of Thrones and John Hannah in Spartacus.

It seems like the prejudice towards being a television actor is over and people are starting to realize that it's not a fate worse than dearth. In fact, it seems to be better than being a film actor seeing as how poor the quality of films have been lately. This truly is the Golden Age of Television.

Mahalo.

A Quick Note on Video Game Music

In "Unsung Heroes" - and once more in this post - I noted some excellent soundtracks and how fun it is to listen to them even outside of the gaming atmosphere.

I just want to take the time to note two more soundtracks that are totally worth noticing and giving a listen to. And they're both from Rockstar Games.

The first is the slightly eerie and intriguing soundtrack to Red Dead Redemption: Undead Nightmare, a zombies and cowboys epic. The music is the right mix of western and zombie movie and worth giving a listen - especially since the soundtrack is a huge part of both of those cinematic genres.

The second is L.A. Noire, a visually stunning and fun game set in 1947. So, as you can imagine, the music is jazzy-noir and very of the time. Noir, too, is a genre wherein the music is a radically important part of the cinema, so this faithful soundtrack is definitely worth it for lovers of jazz, noir and video-gaming.

Mahalo.

The Unsung Heroes

After listening to them on repeat for the past few days of work, I think it needs to be said that - and a shout out given to - the unsung heroes of the gaming industry are its music composers, without whom the atmosphere, tension and emotion would not be felt in the games we love so much.

I have been listening to the Starcraft 2, Bioshock, Oblivion and Red Dead Redemption soundtracks as I trawl away at my job and I have to say, it makes working feel more epic. It also adds some serious atmosphere.

You don't realize, while you're in a game, how important the music is - not like when you're in a movie. Sure, we can all whistle the Tetris or Mario Bros theme song, but how many of you can do that for the theme of your favourite modern game? Okay, anything outside of Halo. I thought so.

It's amazing how much the screeching violin makes Bioshock such a terrifying game. You just feel naturally pumped or on a mission when you hear the twangy slide acoustic guitar, ripping electric solos and chugging drums of the Starcraft 2 soundtrack. The peace you feel at the wonderfully composed, classic-sounding Oblivion score. How motivated or soothed or pushed to action do you feel when you hear the Western-styled mostly-acoustic music of Red Dead Redemption? For me, extremely.

If you want some music to relax, work, work out, write, read or do anything to, I highly recommend any of your favourite game soundtracks. You will not be disappointed.

Mahalo.

Red Dead Redemption and New Xbox 360

Ok, so I know I'm a little late in coming to Red Dead, but cut me some slack, I've been saving up and my Xbox has been broken.
This, however, was delightfully rectified when EB Games announced a deal that trading in your old 360 would give you a significant discount on the new sleek, quiet, huge HD Xbox AND a free copy of Red Dead Redemption. My ears burned and I traded in.
My oh my oh my.
First of all, the new plastic smell of the new console was almost like heaven incarnate at this point. The new Xbox, not only sporting a huge 250 GB HD (almost unnecessarily big), but is quiet as a mouse. The new power pack barely makes any noise which makes it sound less like it's going to explode than the old model did.

Alright, so, Red Dead. This game, honest to goodness, is more fun than it has any right to be. I mean, really, it's just GTA on a horse in the Wild West - but for some reason, that makes it BETTER.
The open plains of the beautifully constructed world are astounding and the little addition of people either needing your help of trying to kill you by the side of the road is a cute touch towards the reality of 19th Century West America.
Although the protagonist (hero or villain is your choice) is a fairly opinionless avatar of the stereotypical mysterious stranger with a dark past, he is still enjoyable. His a well-defined character in terms of animation, and his lack of too many opinions kind of allows you to role-play him any way you like - though that could be my Dungeons and Dragons playing twist on a less than well-written character.
The story, however, is quite enrapturing in a strange way. I mean, it's typically Rockstar Games/GTA in that you go to different people for missions whom the previous mission-giver introduces you to, but their stories are more interesting than, "I hate this mob boss, murder him for money". I like the, "I'm a creepy grave robber searching for my lost treasure, let's go find it - this will include a lot of murder and mayhem".
Speaking of murder, the fighting - especially the duel-style Dead Eye feature - is more fun. This could be because you have a foreseeable limit to your ammo and you only really carry max 4 choose-able weapons at a time - my favourite is the Winchester Repeater. It also FEELS like a Western flick, with the grungy hero who's good with a gun and enemies slumping over, falling off roofs, etc.
All in all, a shining review for this game. Mahalo.