Last night I had the pleasure of watching the new Muppets flick, co-written, co-executive produced and starring Jason Segel. First, let me say, I never thought that at my age that a Muppets movie would be able to make a tear roll down my cheek. I was sorely mistaken in thinking that.
The movie centres around Gary (Segel) and new Muppet Walter (voiced by Peter Linz). Gary wants to take his girlfriend Mary (Amy Adams) to LA for their anniversary and they invite Walter with them to go and see the old Muppet Studios. When they find it in disrepair and an evil oil magnate, Tex Richman (Chris Cooper), buying up the plot to tear it down, they decide to seek out Kermit and bring the gang back together for one last show to try and raise money to keep the plot. Hilarity, insanity and self-referential humour ensues!
Segel was seemingly born to play this role. With his enormous smile, happy eyes and a permanent look of childlike wonder on his face, it's amazing how well he seeped into the Muppet universe. Adams, too, was astounding her role, being a beautiful, Smalltown, America kind of girl and performing some wonderful songs alone and with the occasional Muppet.
As is the custom with Muppet films, celebrity cameos abound! Alan Arkin, Whoopi Goldberg, Neil Patrick Harris and Bill Cobbs to name a few. I won't spoil them all for you!
If you ever loved the Muppets as a kid or now, you will very much enjoy this trip down nostalgia lane, with its fresh new take on the Muppets and some wonderful songs composed by Bret McKenzie of New Zealand comedy duo Flight of the Conchords. And if you need any further convincing as to seeing this movie, it's purely for the AMAZING casting choice for Walter's human counterpart and these three words: Chris Cooper rapping.
A solid 8 out of 10 for being able to keep The Muppets for both children and adults, keeping it in tune with the original, brilliant Muppet releases.
Mahalo.
Showing posts with label chris. Show all posts
Showing posts with label chris. Show all posts
Monday, January 23, 2012
Tuesday, April 26, 2011
Thor: A Hard Look At
Everyone shoule be pretty much aware by now of the newest comic-book-superhero-to-film-superhero film "Thor" that is currently gracing our cinemas. The film is the newest link in the chain that wukk eventually culminate in the superhero extravaganza "The Avengers", to be directed by Joss Whedon.
First, let me say how surprised I was to find out that this was directed by directing giant Kenneth Branagh - yes, the one and same who did "Frankenstein" with Robert de Niro. The film is so far out of his style it's in another world - which, I suppose, suits the fact that these characters are not from Earth. By the way, that's not a spoiler. Promise.
Second of all, I want to express how impressed I was by Australian "Home and Away" star Chris Hemsworth. Despite his humble beginnings on an Australia after-school soap that's been running for so long, he's come to Hollywood poised and ready. The first time I saw him, which was not on "Home and Away" but as George Kirk in the 2009 J.J. Abrams "Star Trek", I was immediately impressed. The fact that his role in that film last only about 12 minutes shows just how grabbing he was. The emotions were palpable.
Unfortunately, the emotional range for a character like Thor is a little less diverse. He is a prince from an alien world whom visited Earth and whom the Vikings worshipped as gods. So, he's arrogant and boastful, but his comedic timing when exiled too Earth sans-superpowers, is priceless. Also, it helps that he developed himself into some worthy eye-candy for all the gay and female movie viewers - hot damn did I feel inadequate.
The film is supported by the ever beautiful Natalie Portman and Kat Dennings, who play his science-nerd friends once on Earth, and the always enjoyable to watch Anthony Hopkins as his father Odin. Stellan Skarsgård was fun in his father-like role to Portman and Dennings, and newcomer Tom Hiddleston was impressive and believable as Thor's mischievous brother Loki.
Story-wise, it was a typical evolution/redemption story with some elegant action scenes thrown in for kicks. Admittedly the story seems lifted right from the comic book - and I knew that this hero would be the hardest to adapt to film because he was so, well, brazen. The dialogue is, at times, a little trite and couples itself with the wafer-thin storyline, but it does end in a way that I felt it should end - you'll see what I mean when you see it; and for the love of god stay after the credits!
Of course, while most of you are aware of my dislike of 3D as a medium, it can be done well. This film didn't need to be in 3D, but it wasn't too intrusive. The beautiful, sweeping landscape shots of Asgard are worth donning the 3D glasses, but anything on Earth - which is the majority of the film - isn't helped along at all by this new, hyped medium.
This film is an enjoyable, light movie and I do think is as good an adaptation of the comic as we're bound to get. 7/10
First, let me say how surprised I was to find out that this was directed by directing giant Kenneth Branagh - yes, the one and same who did "Frankenstein" with Robert de Niro. The film is so far out of his style it's in another world - which, I suppose, suits the fact that these characters are not from Earth. By the way, that's not a spoiler. Promise.
Second of all, I want to express how impressed I was by Australian "Home and Away" star Chris Hemsworth. Despite his humble beginnings on an Australia after-school soap that's been running for so long, he's come to Hollywood poised and ready. The first time I saw him, which was not on "Home and Away" but as George Kirk in the 2009 J.J. Abrams "Star Trek", I was immediately impressed. The fact that his role in that film last only about 12 minutes shows just how grabbing he was. The emotions were palpable.
Unfortunately, the emotional range for a character like Thor is a little less diverse. He is a prince from an alien world whom visited Earth and whom the Vikings worshipped as gods. So, he's arrogant and boastful, but his comedic timing when exiled too Earth sans-superpowers, is priceless. Also, it helps that he developed himself into some worthy eye-candy for all the gay and female movie viewers - hot damn did I feel inadequate.
The film is supported by the ever beautiful Natalie Portman and Kat Dennings, who play his science-nerd friends once on Earth, and the always enjoyable to watch Anthony Hopkins as his father Odin. Stellan Skarsgård was fun in his father-like role to Portman and Dennings, and newcomer Tom Hiddleston was impressive and believable as Thor's mischievous brother Loki.
Story-wise, it was a typical evolution/redemption story with some elegant action scenes thrown in for kicks. Admittedly the story seems lifted right from the comic book - and I knew that this hero would be the hardest to adapt to film because he was so, well, brazen. The dialogue is, at times, a little trite and couples itself with the wafer-thin storyline, but it does end in a way that I felt it should end - you'll see what I mean when you see it; and for the love of god stay after the credits!
Of course, while most of you are aware of my dislike of 3D as a medium, it can be done well. This film didn't need to be in 3D, but it wasn't too intrusive. The beautiful, sweeping landscape shots of Asgard are worth donning the 3D glasses, but anything on Earth - which is the majority of the film - isn't helped along at all by this new, hyped medium.
This film is an enjoyable, light movie and I do think is as good an adaptation of the comic as we're bound to get. 7/10
Saturday, March 12, 2011
Buried...
...is probably the scariest, most stressful movie I have ever seen. It was also cinematically brilliant. For those of you unaware, Buried is a film where Paul Conroy (played extremely well by Ryan Reynolds) wakes up to find himself bound in a coffin and buried alive. With him is a cell phone, his lighter and a flask of liquid, among other things. He has 90 minutes before he is left to die and must figure a way out.
Now, this sound like it's just a lame horror movie which ends in a Kill Bill-esque "punching through the coffin and crawling up and out of the ground", but you'd be wrong. The movie is an intricate exploration of loneliness, the American society and mortality.
The film is brilliantly shot never leaving the confines of the coffin - ever. All shots take place within the coffin and because of this, you feel like you're in there with Conroy. The lighting is only whatever the cell phone or lighter provides and the film is mostly quite silent, bar Conroy's talking on the phone and the occasional piece of dramatic music.
While I admire the excellent execution of the film and performance by Reynolds, and also the film-maker's ability to keep the audience interested for 90 minutes while never leaving the coffin or the single actor, I do not recommend it for the faint of heart. If you are claustrophobic or have a fear of being buried alive, this film is probably your worst nightmare and even had me - generally unaffected by films - shaking for a while afterwords, haunted.
Make no mistake, this is not a life-affirming movie, but is a great study of what it means to be alive.
Now, this sound like it's just a lame horror movie which ends in a Kill Bill-esque "punching through the coffin and crawling up and out of the ground", but you'd be wrong. The movie is an intricate exploration of loneliness, the American society and mortality.
The film is brilliantly shot never leaving the confines of the coffin - ever. All shots take place within the coffin and because of this, you feel like you're in there with Conroy. The lighting is only whatever the cell phone or lighter provides and the film is mostly quite silent, bar Conroy's talking on the phone and the occasional piece of dramatic music.
While I admire the excellent execution of the film and performance by Reynolds, and also the film-maker's ability to keep the audience interested for 90 minutes while never leaving the coffin or the single actor, I do not recommend it for the faint of heart. If you are claustrophobic or have a fear of being buried alive, this film is probably your worst nightmare and even had me - generally unaffected by films - shaking for a while afterwords, haunted.
Make no mistake, this is not a life-affirming movie, but is a great study of what it means to be alive.
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