The Dark Knight Rises: Gotham's Reckoning

Since the end of The Dark Knight, like any fan, I have been eagerly anticipating The Dark Knight Rises. It was like seeing The Empire Strikes Back and waiting so long to know the end of the story as it comes in Return of the Jedi. I don't think I could make this paragraph any geekier. Sufficed to say, I was excited.

I was concerned though, too, that I was hyping myself up too much and that - because my expectations were so high - I would ruin the movie for myself. It's the same trap we all fall into for a highly anticipated movie - especially a sequel to a much loved film.

In all honesty, however, I was not disappointed. The sheer scale of TDKR is one of the things I found so astonishing. Christopher Nolan said he wanted to make a large scale film in the behind-the-scenes featurette and how he has prevailed.

In the film, Gotham is about to get its comeuppance by criminal mastermind Bane (Tom Hardy). Batman (Christian Bale) has been off the streets for 8 years in the wake of Harvey Dent's (Aaron Ekhart) death in The Dark Knight. Commissioner Gordon (Gary Oldman) is the only one who knows the truth and is tortured by it. Meanwhile, hothead cop and idealist Officer Blake (Joseph Gordon-Levitt) is on the streets, believing that Gotham needs the Batman again.

Anne Hathaway does a magnificent job as Catwoman - the best ever rendering of the character on film to date. She embodied the sensuality, the slyness and the violence that accompanies the character in the comics, and did so without ever making one bad cat pun, or purring.

This was definitely Christian Bale's best Batman performance, starting with a weakened Bruce Wayne and back into the swing of Batman. He portrayed a depth and brooding to the character that was remarkable.

But truly, my hat must be tipped to Tom Hardy. His performance as Bane was not only magnificent, but terrifying. Those who have read the comics know what Bane can do and has done. He is a monster of the highest calibre, and Tom Hardy did not disappoint. Honestly, if the track was laid down by Heath Ledger for his performance as the Joker, it's all set for Hardy to receive his own Oscar nomination (at least).

This film was so epic in scale, it was mind-boggling. The sheer number of extras required, the amount of story that occurred, character arcs coming to conclusion! The sheer Dr. Zhivago-esque grandeur of the film is unmistakeable.

If you are a comic book fan - and I speak as one - thenthis movie was pretty perfect. Elements of Batman: Knightfall, The Dark Knight Returns and Gates of Gotham. A glance of some of the comics that influenced Nolan during filming are outlined here. Even if you're not a comic book fan and merely enjoyed the first two movies, this film will not disappoint you. It is a fitting ending to the trilogy and does so in a way that we've come to expect from Christopher Nolan. 9/10

Mahalo.

Thor: A Hard Look At

Everyone shoule be pretty much aware by now of the newest comic-book-superhero-to-film-superhero film "Thor" that is currently gracing our cinemas. The film is the newest link in the chain that wukk eventually culminate in the superhero extravaganza "The Avengers", to be directed by Joss Whedon.

First, let me say how surprised I was to find out that this was directed by directing giant Kenneth Branagh - yes, the one and same who did "Frankenstein" with Robert de Niro. The film is so far out of his style it's in another world - which, I suppose, suits the fact that these characters are not from Earth. By the way, that's not a spoiler. Promise.

Second of all, I want to express how impressed I was by Australian "Home and Away" star Chris Hemsworth. Despite his humble beginnings on an Australia after-school soap that's been running for so long, he's come to Hollywood poised and ready. The first time I saw him, which was not on "Home and Away" but as George Kirk in the 2009 J.J. Abrams "Star Trek", I was immediately impressed. The fact that his role in that film last only about 12 minutes shows just how grabbing he was. The emotions were palpable.
Unfortunately, the emotional range for a character like Thor is a little less diverse. He is a prince from an alien world whom visited Earth and whom the Vikings worshipped as gods. So, he's arrogant and boastful, but his comedic timing when exiled too Earth sans-superpowers, is priceless. Also, it helps that he developed himself into some worthy eye-candy for all the gay and female movie viewers - hot damn did I feel inadequate.

The film is supported by the ever beautiful Natalie Portman and Kat Dennings, who play his science-nerd friends once on Earth, and the always enjoyable to watch Anthony Hopkins as his father Odin. Stellan Skarsgård was fun in his father-like role to Portman and Dennings, and newcomer Tom Hiddleston was impressive and believable as Thor's mischievous brother Loki.

Story-wise, it was a typical evolution/redemption story with some elegant action scenes thrown in for kicks. Admittedly the story seems lifted right from the comic book - and I knew that this hero would be the hardest to adapt to film because he was so, well, brazen. The dialogue is, at times, a little trite and couples itself with the wafer-thin storyline, but it does end in a way that I felt it should end - you'll see what I mean when you see it; and for the love of god stay after the credits!

Of course, while most of you are aware of my dislike of 3D as a medium, it can be done well. This film didn't need to be in 3D, but it wasn't too intrusive. The beautiful, sweeping landscape shots of Asgard are worth donning the 3D glasses, but anything on Earth - which is the majority of the film - isn't helped along at all by this new, hyped medium.

This film is an enjoyable, light movie and I do think is as good an adaptation of the comic as we're bound to get. 7/10